In his later years, Elgar had shown his adeptness at producing significant scores as incidental
music to dramatic works. The Crown of India, to
accompany a masque staged for King George V's coronation in 1912, was the first of
these, followed by the wartime fantasy The Starlight
Express in 1915 and the music for Laurence Binyon's play Arthur in 1923.
After Lady Elgar's death in 1920, Elgar sold both Brinkwells, the Sussex retreat at
which he had composed most of the Violin Sonata, String Quartet and Piano
Quintet, and Severn House, the imposing Hampstead mansion which had
served as his London home since 1912, and returned to his former peripatetic ways. In 1928,
these took him to Tiddington House, Stratford-on-Avon, where he stayed for
a little over a year. While resident in Stratford, he would often attend the memorial theatre for
productions of the great Shakespearian plays and this appeared to revive his interest in composing
further incidental music.
What emerged, however, was not music of Shakespearian grandeur but a score to accompany
a play by the far lesser known playwright Bertram P Matthews. His play, Beau
Brummel, was staged at the Theatre Royal, Birmingham in November
1928, with Elgar conducting the orchestra on the first night. The score has remained unpublished
with the exception of the minuet which alone has outlived the play.